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Magnetic Putty Magic (Extended Cut) | Shanks FX | PBS Digital Studios from Joey Shanks on Vimeo.

If you like what you see, don’t hesitate to click on the green icon below to “TIP THIS VIDEO”.
Will help to ensure we make more episodes, just like this one!!!

In this episode of SHANKS FX we have some fun with the wonderful weirdness of “Magnetic Putty”.

We used this Putty to create a lot of the
Black Hole sequences in our film SCI-FLY watch Trailer ——> vimeo.com/57116781

We now take a 2nd run at experimenting with this “strange matter”
to see what new images & sequences can be achieved!!!

For more visit ———————-> MovieMagicNow.com

Like us on Facebook ——-> Facebook.com/ShanksFX

Follow us on Twitter ———> Twitter.com/JoeyShanks

Music by Big Fok —————-> BigFok.com

HERE IS THE KIND OF PUTTY I USED —> store.yahoo.com/cgi-bin/clink?puttyworld+vrJ4Sh+index.html+

In Association with PBS Digital Studios —> youtube.com/user/PBSDigitalStudios

W4d .mp4 from Ralph Spencer Steenblik on Vimeo.

St. Lucia - All Eyes On You (Unofficial Music Video) from Matt Heder on Vimeo.

Unofficial Spec Music Video for St. Lucia’s “All Eyes On You”.

Filmed in Payson Lakes, Utah. We feel very proud of this video and we’re excited to share it! I was inspired by this song months ago and wanted to shoot something with visuals that I thought matched the wonderful music! I have nothing but love and admiration for the awesome music this band puts out, Thank you St. Lucia!

Directed By Matt Heder
Director of Photography: Will Thomas
Produced By: Talana Trottier and Matt Heder
Co Produced By: Kelsie Moore and Lauren Laws
Production Assistants: Eric Boyce and Joey Majdali

Starring Bryce Chamberlain
Dance Choreography: Alicia Reason
Dancers: Ashlyn Cowley, Sam DuMont, Alicia Reason, Eric Boyce, Kev Nemelka, Kelsie Moore, Samantha Jameson, Joey Majdali

Capture_20130226.3gp from Ralph Spencer Steenblik on Vimeo.

Wing-brella 02.wmv from Ralph Spencer Steenblik on Vimeo.

Ward Retreat.mp4 from Ralph Spencer Steenblik on Vimeo.

SCI-Arc “Advances in Architectural Geometry” Short from SCI-Arc on Vimeo.

SCI-Arc’s advances in architectural geometry are highlighted in this short version of the film produced by the school for the AAG symposium held September 27-30, 2012 at the Centre Pompidou, Paris. The unprecedented event introduced theoretical works and practices linked to new geometrical development applicable to architecture. A reference in the professional field, this symposium is attended by some of the most renowned architectural design and engineering offices, along with academic laboratories.

SCI-Arc was among 15 world-renowned architecture schools invited to submit a video presentation dedicated to recent developments in architectural geometry and computation. This presentation was shown at the Centre Pompidou in Paris, allowing a large public to discover some of the most interesting and challenging experiments currently being carried out at SCI-Arc.

To watch the full length film, go to vimeo.com/sciarc/architecturalgeometry.

Production: Southern California Institute of Architecture (SCI-Arc)
Film Director: Herwig Baumgartner
Filming & Editing: Ryan Tyler Martinez
Interviews: Marcelyn Gow
Music: Jad Atoui; Moderat-Bpitch Control

Featuring:

Eric Owen Moss (Eric Owen Moss Architects, SCI-Arc Director)
Hernan Diaz Alonso (Xefirotarch, SCI-Arc Graduate Programs Chair)
Andrew Atwood (First Office, SCI-Arc faculty)
Herwig Baumgartner (B+U Architects, SCI-Arc faculty)
Marcelyn Gow (Servo Los Angeles, SCI-Arc faculty)
Elena Manferdini (Atelier Manferdini, SCI-Arc faculty)
Florencia Pita (Fpmod, SCI-Arc faculty)
Marcelo Spina (Patterns, SCI-Arc faculty)
Peter Testa (Testa/Weiser, SCI-Arc faculty)
Devyn Weiser (Testa/Weiser, SCI-Arc faculty)
Tom Wiscombe (Tom Wiscombe Design, SCI-Arc faculty)

SCI-Arc Gehry Prize 2012 - Phantom Geometry - Kyle & Liz Von Hasseln/Advisors: Peter Testa & Devyn Weiser from SCI-Arc on Vimeo.

The 2012 SCI-Arc Gehry Prize-winning thesis project is about a way of making, a way of using information.

In the authors’ own words: “We are developing a system of moving streaming information through space, in the form of light, to generate material form. This system is a full-scale, generative fabrication process that is innately non-linear, is interruptible and corruptible at any time, and does not rely on periodic flattening to 2D. Light is the medium for data in our system. There resident data can be drawn through physical space, at full scale, to generate a photographic artifact, or to instantiate material form through the selective polymerization of proximal photo-responsive resin. This thesis, then, begins to investigate a design paradigm centered on the material reification of light. That paradigm questions the supremacy of the digital model, and the static flattening and stacking logics inherent to typical fabrication workflows. It is part of a conversation about representation, about the role of the designer, and about the way we make.”

Phantom Geometry from Liz and Kyle von Hasseln on Vimeo.

***We’re about to launch our next fabrication project: 3D printed sugar! Follow us on twitter @thesugarlab***

This is ‘Phantom Geometry’, a masters thesis in architecture by Kyle von Hasseln and Liz von Hasseln, developed in the Robot House at the Southern California Institute of Architecture (SCI_Arc). It was awarded the inaugural Gehry Prize at the SCI-Arc commencement ceremony on September 9.

This work is centered on the development of a system for generating material volume from streaming information. The system uses UV light from a modified DLP projector to continuously and selectively cure photo initiated resin within a shallow vat system we developed for the project. The cured part is simultaneously and continually pulled away from the vat, allowing un-cured resin to flood in beneath it to be subsequently cured. The result is the material reification of streaming data that emerges along the motion path of the Staubli robot maneuvering the vat/projector apparatus.

This system of fabrication relies upon native real-time feed-back and feed-forward mechanisms, and is therefore interruptible and corruptible at any time. The streaming data input may be transformed or modified at any time, and such interventions impact emerging downstream geometry.

Thanks to Brandon Kruysman, Jonathan Proto, Peter Testa, Devyn Weiser, Nazareth Ekmekjian, Robert Cervellione, vade001, Fernando Muñiz of Spot-a Materials, Erin Besler, Marcelyn Gow and Andrew Atwood.
Thank you also to Frank Gehry and SCI_arc for honoring this work with the Gehry Prize.

Camtrac from Dan Eckert on Vimeo.

I used the Camtrac dolly for most of theses clips. Hyper-lapse at the Racetrack (dry lake in Death Valley) was done using a 3 wheeled steerable dolly I built. The website will be up soon that showcases this amazing dolly and what it’s capable of. I’m planning on marketing the Camtrac soon. Contact me if your interested. Thanks.

thecamtrac.com